The Screwtape Letters

1.In his Preface, Lewis warns against two equal and opposite errors regarding the Devil: treating him as a pantomime villain on one hand, or as a brooding romantic figure on the other. Which of these errors do you find more tempting in your own thinking, and why?

2.Lewis chose the form of letters from a demon to tell his story — a deliberately 'inverted' perspective where God is called 'the Enemy' and the human soul is called 'the Patient.' What does this reversal accomplish that a straightforward sermon or essay could not?

1.In Letter 1, Screwtape rebukes Wormwood for allowing the Patient to become a Christian and immediately offers a strategy: keep him thinking about his faith rather than living it, and use 'the stream of immediate sense impressions' to drown out any genuine spiritual reflection. Where do you see this strategy at work in contemporary Christian culture?

2.Screwtape advises Wormwood to steer the Patient toward 'the historical Jesus' or 'the real Jesus' — a Jesus defined by the Patient's own temperament and politics — rather than the Christ of Scripture and the Church. How does this tactic show up in real life? Have you ever constructed a version of Jesus more comfortable than the biblical one?

1.In Letter 6, Screwtape explains the strategic value of the 'domestic setting' — the home — as a place where irritations are constant, defenses are down, and the Patient is most likely to act contrary to his best self. Do you agree that home is a more spiritually revealing arena than, say, church or work? Why or why not?

2.Screwtape counsels Wormwood to exploit the Patient's relationship with his mother by encouraging a particular kind of 'soft' cruelty — not loud arguments, but tone of voice, facial expressions, and a habit of noticing every annoying quirk. Lewis calls this exploitation of 'the uncharitable interpretation.' Where do you see this at work in your own closest relationships?

1.In Letter 11, Screwtape distinguishes between different kinds of laughter and humor. He identifies 'flippancy' as hell's favorite — a humor that treats everything serious as comic and thus prevents any real engagement with truth or goodness. How would you distinguish flippancy from the genuine, life-affirming humor that Lewis elsewhere celebrated? Can you give an example of each?

2.Letters 12–13 describe the Patient drifting deeper into his secular social circle and developing what Lewis elsewhere called 'the Inner Ring' mentality — the desire to be 'in' with the sophisticated few. Screwtape notes with pleasure that the Patient is learning to be ashamed of his Christian friends. Have you ever experienced shame about your faith in a social setting? How did you handle it?

1.In Letter 17, Screwtape discusses the demonic strategy around gluttony — and surprises us by focusing not on gross excess but on what he calls 'the gluttony of Delicacy': the fussy, demanding, never-satisfied pickiness that is all about self rather than nourishment. Have you ever recognized gluttony in this more subtle form — in food, entertainment, comfort, or attention?

2.When the Patient falls in love with a Christian woman, Screwtape is deeply unsettled. He describes her as surrounded by 'a whole battalion of Enemy influences' — genuine prayer, practical charity, honest friendships. What does this portrait of a godly person suggest about what spiritual health actually looks like in practice?

1.In Letter 23, Screwtape celebrates the 'Church-hopper' — the Christian who has developed a critical eye for finding fault with every congregation and thus remains permanently detached from real, costly community. Does this portrait resonate with anything you've observed? What is the spiritual cost of approaching church as a consumer?

2.Screwtape notes with delight that hell has successfully introduced the concept of the 'Spiritual' as a category distinct from and superior to the 'ordinary' — so that Christians neglect everyday duties in pursuit of dramatic religious experience. How does this split between the 'spiritual' and the 'ordinary' appear in contemporary Christian life?

1.In Letter 27, Screwtape addresses the strategy of using 'historical perspective' and intellectual cowardice to keep Christians from firm commitment — nudging them to always see 'the other side' until they have no side at all. Lewis called this the sin of 'being open-minded as a permanent condition rather than a path to truth.' Where do you see this kind of paralyzed open-mindedness in contemporary culture or in yourself?

2.In Letter 29, as the bombing of England intensifies, Screwtape turns to the topic of courage — specifically, how hell deals with a human being who has become genuinely brave. Screwtape is frustrated that the Patient seems to be developing real courage. What is the relationship between courage and Christian faith, according to what Lewis implies in these letters?

1.Screwtape's 'Toast' is a speech at a demonic graduation banquet, and he opens by lamenting the poor quality of modern souls being served as food — 'the gentle Pharisee, the scrupulous Judas.' What does this dark humor suggest about Lewis's view of what makes a soul 'flavorful' to hell — i.e., what qualities make someone more or less easily corrupted?

2.The central argument of the Toast is that hell has discovered a powerful new weapon in democratic societies: the sin of envy dressed up as a passion for equality. Screwtape celebrates the slogan 'I'm as good as you' — not because it lifts the low, but because it drags down the excellent. Where do you see this envy-disguised-as-equality operating in culture today? In the church?

1.Throughout the letters, God is called 'the Enemy' — but Screwtape's descriptions of him, filtered through demonic frustration, are often unexpectedly beautiful. What portrait of God emerges from what Screwtape grudgingly admits about him? List two or three attributes that Screwtape acknowledges even while resenting them.

2.Lewis's Screwtape operates with a fundamentally parasitic view of evil: hell cannot create, only corrupt; it cannot invent pleasures, only misdirect them; it cannot manufacture love, only consume it. How does this 'parasite' model of evil compare with other ways people understand the problem of evil? What are its strengths?

1.Lewis said that The Screwtape Letters was the most successful and the most hated of all his books — readers loved it but he found it oppressive to write. Why do you think inhabiting an evil character's perspective for an extended time might be spiritually draining? What does that tell us about Lewis's own spiritual seriousness?

2.Satire has a long Christian history — from Erasmus's Praise of Folly to Swift's A Modest Proposal. What does satire accomplish that direct argument or straightforward preaching cannot? What are its limitations?

1.Look back at the list you made in Week 1 of areas where you felt most spiritually vulnerable. Which of Screwtape's named strategies — distraction, flippancy, domestic irritation, spiritual troughs, pride disguised as virtue, anxiety about the future, etc. — most accurately names what you face? Be as specific as you can.

2.Screwtape's most consistent strategy is not dramatic temptation but gradual drift — the 'gentle nudge' that keeps the Patient preoccupied with secondary things and away from direct, honest engagement with God. What are the 'secondary things' that most effectively distract you from prayer, Scripture, and genuine community?

1.C. S. Lewis converted to Christianity as an adult after many years as a committed atheist and materialist. How do you think this journey shaped the particular targets he chose for Screwtape's attacks? What temptations might a former atheist intellectual understand especially well?

2.Lewis wrote The Screwtape Letters in 1941, during the worst years of World War II. He was living through regular bombing raids, housing evacuee children, and broadcasting on the BBC. How does biographical knowledge of this context enrich your reading of the book — especially the wartime letters and the letter on courage?

1.James 1:13–15 describes the anatomy of temptation: desire, enticement, sin, death. How does Screwtape's model of temptation — working through distraction, ambient atmosphere, and the corruption of good desires — map onto James's account? Where do they align and where does Lewis go further?

2.1 Peter 5:8 describes the devil as a 'roaring lion, seeking someone to devour.' Lewis's Screwtape is almost the opposite — not roaring but whispering, not dramatic but bureaucratic. Do these two images of the enemy contradict each other, or do they describe different aspects of the same reality?

1.Which letter or theme from The Screwtape Letters had the most impact on you personally? What was it about that particular passage that got through your defenses in a way other things hadn't?

2.At the start of this study (Week 1), you were asked to list areas of spiritual vulnerability. Look back at that list now. Has anything changed in your understanding of those vulnerabilities? Have you been able to name what was happening in new ways, or take any concrete steps?